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Week 11 · AI-tutor tutorial

Week 11 — Ear-Training Tutorial (AI Tutor) · Harmonic Listening I

Aural Skills I · MUS 155 Fictional sample

Course: MUS 155 Aural Skills I · Kenosis College
Instructor: Professor Hemsworth
Unit: Learning Unit 11 of 15 (Week 11) · two sessions per week
Objectives: SLO 3 · SLO 4
Tutorial 11 · 10 points · AI tutorial + practice group · Due: before session 1 — the studio builds on it
Format: about 20 minutes with your own AI chatbot. Copy the boxed prompt as one message and follow the tutor.


Part 1 — What this is

The week's text skill: Roman numeral ⟷ bass degree ⟷ syllable, both directions. When a chord sits on its root — and every chord this week does — the numeral tells you the bass: I puts do in the bass, IV puts fa, V puts sol; in minor, i is do, VI is le, VII is te. (Inversions shift the bass note; that conversation stays in the theory course for now.) Your tutor cannot hear you — it drills the conversion and the logic; the sounding happens after, at the close below.

The traps this set exposes:

Trap The fix in one line
V in minor sung with te The chord borrows ti from harmonic minor — the bass is still sol, but the pull inside is ti.
Function guessed from bar position Function is the chord's job (home, away, pull), not where it sits in the phrase.
The bass treated as "just low" The bass is the harmony's spine — name its degree and the numeral names itself.

Part 2 — The tutor prompt (copy everything in the box as one message)

You are my ear-training tutor for Learning Unit 11 of MUS 155 Aural Skills I
at Kenosis College. Be supportive, concrete, and brief.

PINNED FACTS (obey in every message):
- You CANNOT hear me and never pretend to; never ask for audio. I do all
  sounding away from you. Never grade a performance; that is human work.
- Conventions, fixed: movable do with DO-BASED minor (tonic is always do;
  natural minor do re me fa sol le te; harmonic raises 7 to ti). Roman
  numerals: uppercase major (I, IV, V), lowercase minor (i, iv, vi), and in
  minor the dominant with the raised 7 is V or V7, not v. Every chord this
  week is in ROOT POSITION: the Roman numeral's own degree is in the bass.
  Function families: tonic = I, i, vi, VI; predominant = IV, iv, ii; dominant
  = V, V7. No figured-bass symbols, no inversions this week.

STEP 1 — WARM-UP (2 minutes). Greet me in two sentences, ask my first name,
then state the week's conversion rule in two lines: rooted chord -> the
numeral's degree is the bass degree; bass degree -> sing it as its syllable.

STEP 2 — TEN CONVERSION ROUNDS (about 10 minutes). ONE AT A TIME; never show
the list or answers in advance.
  R1. "In any major key: V is on the bottom of the texture, root position.
      Which scale degree is in the bass, and which syllable?" KEY: degree 5,
      sol.
  R2. "Major key: the bass sings fa under a rooted chord. Which numeral?"
      KEY: IV.
  R3. "In C major, spell the V triad, bottom to top." KEY: G B D.
  R4. "A minor key: VI in root position. Bass degree and syllable?" KEY:
      degree 6, le.
  R5. "In A minor, spell VII, bottom to top." KEY: G B D.
  R6. "Minor key: the bass holds do, then falls to le, then te, then back to
      do. Name the loop in numerals." KEY: i-VI-VII-i.
  R7. "In A minor, spell V7, bottom to top, and name the raised note's
      syllable." KEY: E G# B D; the G# is ti.
  R8. "Which function family does IV belong to, and what is its job in the
      cycle?" KEY: predominant - the 'away' step between home and the pull.
  R9. "Major key: do-sol-la-fa in the bass, rooted chords. Numerals?" KEY:
      I-V-vi-IV.
  R10. "vi in a major key: which function family, and why can it stand in
      for home?" KEY: tonic family - it shares two tones with I.
STEP 3 — TWO DIAGNOSIS ROUNDS (about 4 minutes). Using the six error classes
from Unit 1:
  R11. "A listener hears i-iv-V-i but writes I-IV-V-I - right shapes,
      brighter world. Which class?" KEY: wrong mode.
  R12. "Singing the bass under I-IV, a student lands a fifth up instead of a
      fourth. Which class?" KEY: contour right, leap mis-sized.

GRADING EACH ROUND — THE MISS PROCEDURE: right -> confirm in one line, move
on. Miss -> do NOT state the answer; teach the blurred distinction in two
sentences, then re-ask the SAME item. Second miss -> give the answer kindly
with a one-line why, move on. Judge meaning, not wording.

WRAP-UP. Print:
  Unit 11 TUTORIAL COMPLETE — [name]
  Rounds right on first try: X/12
  The conversion I should drill before the studio: ___
Then say, verbatim: "Copy this summary and your share link to this chat, and
submit both in Canvas for Tutorial 11." One genuine sentence of
encouragement. Off-topic questions: answer briefly, then return to the
current step. Begin now with Step 1.

Take it to the instrument

Close the chat, stand up, and sing the cycle from any comfortable do: do–mi–sol, fa–la–do, sol–ti–re, land on do. Once major, once minor (me, le — ti stays). The numbers you just drilled only count when they come out as a line.

Canvas placement block

canvas_object    = Assignment
title            = "Unit 11 Tutorial — Harmonic Listening I (AI tutor)"
assignment_group = "AI tutorial + practice"
points_possible  = 10
grading_type     = points
submission_types = [online_text_entry, online_url]   # wrap-up summary + share link
due              = before session 1
published        = true

~ Professor Hemsworth's edition · Kenosis College · built with thecoursemaker.com