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Week 11 · Module overview

Week 11 — Module Framing · Harmonic Listening I

Aural Skills I · MUS 155 Fictional sample

Course: MUS 155 Aural Skills I · Kenosis College
Instructor: Professor Hemsworth
Unit: Learning Unit 11 of 15 (Week 11) · two sessions per week
Objectives: SLO 1 · SLO 2 · SLO 3 · SLO 4

Two pieces: (A) the Unit 11 Overview page and (B) the Announcement. All timing uses the course's tokens.


(A) Week 11 Overview — Start Here

Welcome to Unit 11: Harmonic Listening I

Harmony week. This morning in theory Roman numerals become legal, and an hour later your ear starts filing progressions under them. The route in is the bass: sing the floor of each chord and the loop names itself. Two firsts: calling gig progressions by number after two hearings, and writing in the bass clef — the term's first bass-line dictation, including an eight-bar phrase (one loop played twice; trust the loop).

Work the table top to bottom.

# Do this Type Points Due
1 Tutorial 11 — AI tutor: Roman numeral ⟷ bass degree ⟷ syllable, both modes Tutorial 10 before session 1
2 Drill Studio 11 — bass-line singing, the functional cycle, progression ID, bass-clef dictation Studio 20 in session
3 Practice 11 — the daily ten-minute bass loop + AI coach Practice 5 the end of the week
4 Skills Check 11 — 8 live-hearing items, in class, session 2, closed to AI Skills check 8 session 2
5 Submission 11 — the Pachelbel bass + gig-loop recordings + progression IDs Submission 100 the end of the week

The late-work policy is in the syllabus.

Why this makes you a better musician

Progressions stored as numbers transpose for free: name the loop once and you own it in every key. You no longer just feel that the band went somewhere — you can say where, call it in numbers, and land the change with them.

How to succeed: sing the bass of everything you hear this week. Ten minutes a day, floor first.


(B) Announcement — Week 11

Subject: The numbers are legal — meet the song from underneath

Hi everyone,

In this morning's theory session you learned the names — I, IV, V, the whole Roman-numeral family. An hour later we put them in your ears: sing the bass under real chord loops, name progressions by number, write your first bass-clef line. That raised note your ear caught back in minor week finally explains itself — it lives inside V7, doing the pulling.

Do Tutorial 11 before session 1 — it drills the one conversion the studio leans on (V means sol in the bass). Session 2 ends with the skills check, practiced that morning. Recordings and practice close at the end of the week. Next unit: Harmonic listening II.

Bring your low notes.

See you in the studio,
Professor Hemsworth


Canvas placement block

# (A) Overview page
canvas_object    = Page
title            = "Unit 11 Overview — Start Here · Harmonic Listening I"
published        = true
module_position  = first item in the Unit 11 module

# (B) Announcement
canvas_object    = Announcement
title            = "The numbers are legal — meet the song from underneath"
workflow_state   = active
discussion_type  = side_comment
delayed_post_at  = module opening day (drip; offset 0 from module start)
# Announcements are NEVER module items — Canvas rejects them as module content.
# They live in the Announcements stream only; do not add this to the Unit 11 module.

~ Professor Hemsworth's edition · Kenosis College · built with thecoursemaker.com