Week 3 — Quiz (auto-graded) · Dividing the Beat
Course: MUS 156 Music Theory I · Kenosis College
Instructor: Professor Hemsworth
Unit: Learning Unit 3 of 16 (Week 3) · two sessions per week
Objectives tested: SLO 1 (read and notate meter and beat division) · SLO 7 (name what you hear — here, name the split you can feel)
Points: 10 (10 × 1) · Group: Quizzes (lowest 2 of 14 dropped) · Due: the end of Week 3 · online, 15-minute timer, 1 attempt, closed to AI.
This is the human-readable quiz with its vetted answer key and feedback. The import-ready QTI is rendered by the build system from
_build/banks/lu-03.json, which also holds this unit's 15 exam-pool items (identsk3lu03x01–x15) — those test the same concepts with different stems, feed the midterm, and never appear on this quiz. Every item below is answerable from text alone; no images required.
Blueprint
The table below maps each item to its type, concept, and objective.
| # | Type | Concept(s) | Objective |
|---|---|---|---|
| 1 | Multiple choice | Compound division defined | SLO 1 |
| 2 | Multiple choice | 6/8 classification | SLO 1 |
| 3 | Multiple choice | Beats = top ÷ 3 (9/8) | SLO 1 |
| 4 | Multiple choice | The dotted beat unit (12/8) | SLO 1 |
| 5 | Matching | Meters → classifications | SLO 1 |
| 6 | Multiple choice | Compound division counting | SLO 7 |
| 7 | Multiple choice | Compound subdivision counting | SLO 7 |
| 8 | Multiple choice | Triplet duration | SLO 1 |
| 9 | True / False | 6/8 ≠ 3/4 | SLO 7 |
| 10 | Multiple choice | Syncopation | SLO 7 |
No trick questions; every distractor targets a misconception named in the Week 3 outline (top-number-equals-beats, eighth-note-gets-the-beat, 6/8-equals-3/4, triplets-speed-up, six-counting at tempo).
Questions, key, and feedback
Q1 (MC). Inside a compound meter, every beat behaves how?
- A. the bar always carries three beats exactly
- B. the tempo runs quicker than in simple meters
- C. it splits into three equal parts instead of two ✅
- D. every note in the bar wears a dot
Feedback: Compound is about the beat's interior, not its speed: each beat opens into three even divisions.
Q2 (MC). In the meter families, 12/8 belongs under —
- A. compound quadruple ✅
- B. compound duple
- C. simple quadruple
- D. compound triple
Feedback: Twelve eighths bundle into four dotted-quarter beats of three eighths each — four beats dividing in three.
Q3 (MC). One bar of 6/8 contains how many felt beats?
- A. six
- B. two ✅
- C. three
- D. four
Feedback: Divide the top number by three in compound signatures: 6/8 is two dotted-quarter beats, not six little ones.
Q4 (MC). The felt beat of 6/8 is carried by which value?
- A. the eighth note
- B. the plain, undotted quarter note
- C. the dotted eighth note
- D. the dotted quarter note ✅
Feedback: Three eighths bundle into one felt beat, and three eighths of time equal a dotted quarter — compound meters put a dotted note on the beat.
Q5 (Matching). Match every signature below to its family label.
Answer bank: compound triple · compound quadruple · compound duple · simple quadruple · simple duple
- 9/8 → compound triple ✅
- 12/8 → compound quadruple ✅
- 6/8 → compound duple ✅
- 4/4 → simple quadruple ✅
- 2/4 → simple duple ✅
Feedback: For 6, 9, or 12 over 8, divide the top by three to find the beat count; smaller top numbers name the beat count directly.
Q6 (MC). Rolling through a 12/8 bar, the third beat and its division are spoken —
- A. 3 e & a
- B. 3 la li ✅
- C. 3 & a
- D. 3 ta la
Feedback: Compound beats speak their number and then la-li for the two remaining divisions — the e-&-a set stays in simple meter.
Q7 (MC). One compound beat — the second of the bar — is carved into six sixteenths. You speak it —
- A. 2 e & a
- B. 2 ta li ta la ta
- C. 2 & a
- D. 2 ta la ta li ta ✅
Feedback: Compound subdivision interleaves ta between the division syllables: number, ta, la, ta, li, ta.
Q8 (MC). In 3/4, a fiddler tucks an eighth-note triplet into beat 2. How much time does that three-note group claim?
- A. exactly one beat — the space two plain eighths would fill ✅
- B. a beat and a half, since the extra note stretches it
- C. a shade under one beat, because triplets compress
- D. as much time as the fiddler fancies
Feedback: A triplet borrows the exact duration of two ordinary notes of its kind and splits that time three ways.
Q9 (True/False). A waltz bar of 3/4 and a jig bar of 6/8 hold identical total time, so a performer may treat the two meters as interchangeable.
- True
- False ✅
Feedback: Equal totals, opposite groupings: 3/4 pulses three-times-two, 6/8 pulses two-times-three — the accent pattern is the meter.
Q10 (MC). In a reggae-flavored groove, the guitar skips every numbered beat and chops only on the off-beat halves. That deliberate off-beat emphasis is —
- A. an anacrusis
- B. swing feel
- C. syncopation ✅
- D. compound division
Feedback: Syncopation shifts weight onto moments the meter marks as weak — attacks between the beats while the beats go silent.
Answer key (quick reference)
The table below lists each item's correct response.
| Q | Answer |
|---|---|
| 1 | C |
| 2 | A |
| 3 | B |
| 4 | D |
| 5 | 9/8 → compound triple · 12/8 → compound quadruple · 6/8 → compound duple · 4/4 → simple quadruple · 2/4 → simple duple |
| 6 | B |
| 7 | D |
| 8 | A |
| 9 | False |
| 10 | C |
Quality gate (machine-checked): exactly one correct option per single-answer item; the multiple-choice key sequence C A B D B D A C carries no run longer than two and no positional lean; option lengths balanced within each item; every spelling claim verified against the course theory reference by the correctness gate; no item tests material from a later unit; no stem or scenario reuses the tutorial, practice, chapter, studio, assignment, or exam-pool surfaces (leakage-checked mechanically at build time).
Item-bank note (instructor-facing)
The ten quiz items above carry idents k3lu03q01–k3lu03q10 in _build/banks/lu-03.json, each tagged with its ledger concept_ids and objective. The same bank holds k3lu03x01–k3lu03x15: fifteen exam-pool items on the same eight Week 3 concepts with fully different stems (zero text overlap — the leakage gate checks). The midterm draws from the pool, never from the live quiz.
Canvas placement block
canvas_object = Quizzes::Quiz
title = "Week 3 Quiz — Dividing the Beat"
assignment_group = "Quizzes"
points_possible = 10
grading_type = points
time_limit = 15
allowed_attempts = 1
shuffle_answers = true
due = the end of Week 3
published = true
access_note = "Closed to AI — this one is just you and the beat. The proctored midterm works the same way."
F-quiz-week-03-qti.xml) ships inside the course's .imscc package — it lands in the Canvas gradebook on import.~ Professor Hemsworth's edition · Kenosis College · built with thecoursemaker.com