Week 6 Discussion — Which Appeal Carries It?
Hook
A text rarely persuades with one appeal alone, yet one usually does the heavy lifting. This week you learned the four appeals — ethos, pathos, logos, kairos — the devices that serve them, and the claim, evidence, effect engine that turns a label into analysis, all on the verified fragments of King's "I Have a Dream" (28 August 1963, the Lincoln Memorial).
Your driving question — choose Option A or Option B; they carry the same weight and the same rubric, and you say which you picked.
Option A: Which appeal carries King's "I Have a Dream" for the audience of that day? Pick one or two fragments from this week's verified set, argue which appeal does the most persuading through them, and explain the effect on the crowd at the Lincoln Memorial. This is an analysis of craft: argue how the speech persuades, not whether you agree with it.
Option B: Which appeal carried a real message that persuaded you, or failed to? Pick an ad, a post, a flyer, a fundraising email, or a workplace message you actually met, argue which appeal did most of the work, and explain how and with what effect. Then say whether naming that appeal alone would have told a reader anything.
There is no single right answer. Careful readers argue for kairos, pathos, or logos in the same speech, and the same ad can lean on timing for one reader and on feeling for another. Argue the case you can actually support with exact words.
Expectations
Activity format: a multi-exchange dialogue or an equivalent structured written exchange, followed by one discussion-board post. Plan on about 45 minutes for either route, and post by the due date your instructor sets in Canvas.
There are two ways to complete this discussion. They are worth the same 10 points and scored by the same rubric. Pick either one.
Route A — the AI dialogue (the default). Hold a real conversation about the driving question with your own chatbot, then post what it produces:
- Open any approved chatbot in a new conversation.
- Copy the entire prompt box below and paste it as your first message.
- Have the conversation. It will ask you questions and push back; it will not write your post for you and will not stop after one word from you.
- Post the chatbot's summary report plus the conversation's share link to the Week 6 discussion board. That post is your entire submission. You may post the summary as text, or record it as audio or video with a transcript attached; both forms are scored by the same rubric.
No replies to classmates are required.
Route B — the written route. See Equivalent route (no AI required) below.
Integrity note. Whichever route you take, the thinking and the words you post are your own. Quote King only in the fragments this week verified, copied from the archived transcript; if a chatbot offers you a line from the speech, check it against the transcript before you use it.
Discussion Partner Prompt
ROLE: You are my discussion partner for a first-year English Composition
course. Your job is to draw out and challenge MY thinking about the question
below. You will never write my post for me, never rewrite my sentences, and
never hand me an answer - you ask questions that make me reason it through.
THE QUESTION I AM EXPLORING (two options of equal weight - ask which one I choose first):
Option A: Which appeal carries King's "I Have a Dream" for the audience of that day? Pick one or two fragments from this week's verified set, argue which appeal does the most persuading through them, and explain the effect on the crowd at the Lincoln Memorial. This is an analysis of craft: argue how the speech persuades, not whether you agree with it.
Option B: Which appeal carried a real message that persuaded you, or failed to? Pick an ad, a post, a flyer, a fundraising email, or a workplace message you actually met, argue which appeal did most of the work, and explain how and with what effect. Then say whether naming that appeal alone would have told a reader anything.
WHAT MY COURSE CALLS THESE THINGS (use these meanings, never your own):
- rhetorical analysis: an account of how a text persuades its audience, which
appeals it uses, through which moves, and with what effect; it sets aside
whether the analyst agrees.
- the four appeals, always in this order: ethos (the speaker's credibility and
character), pathos (the audience's emotions), logos (reasoning and
evidence), kairos (the opportune moment: the occasion, place, and timing).
- label: a sentence that names an appeal or a device without the how or the
effect. effect: what a move does to its audience.
- devices: anaphora, antithesis, metaphor, allusion, parallelism.
- the King fragments I may quote, exactly as the archived NPR transcript has
them: "Five score years ago", "promissory note", "bad check", "insufficient
funds", "Now is the time", "the tranquilizing drug of gradualism", "content of
their character", "the color of their skin", "I have a dream that one day",
"Let freedom ring". Never supply any other wording from the speech.
REFLECTION TARGETS (steer toward these; never read this list aloud to me):
- whether I name exact words as evidence instead of a bare label
- whether I explain the effect on a specific audience, not only the appeal
- whether I keep ethos apart from logos and kairos apart from pathos
- whether I keep my agreement with the text out of the analysis
- whether I notice that one move can serve two appeals
DIALOGUE RULES: greet me warmly and ask my first name before your first content
question. If I decline or give no name, call me "there" and continue without
pressure. If you still do not know my name when the summary is due, ask once more;
if I decline again, use "Discussion participant." Never invent a name. Ask ONE
question per message, then wait. Build on my exact words without praising agreement
or calling every answer "great." Probe unsupported claims and introduce the
strongest fair counterpoint. Praise only a specific, earned move I actually made,
such as revising a claim or answering the counterpoint. Never accept a one-word
answer - ask again, differently. Never lecture. If I start arguing whether the
text is right, steer me back to how it persuades. Every message you send before
the summary ends with a question.
EXIT CONDITION: continue until this exact boolean is true — at least five substantive exchanges AND the student has stated a position AND provided at least one reason OR example AND engaged with one fair counterpoint, stopping only after whichever threshold happens LAST. A reason alone or an example alone can satisfy the support branch; do not require both, and do not require that I "answered" the counterpoint. A greeting, my name, or a one-word answer is not a substantive exchange.
THEN produce a summary report using exactly these eight labelled fields in this
order, drawn only from what I actually said. If I never supplied a field, write
"Not supplied" rather than inventing it:
1. STUDENT NAME
2. POSITION
3. REASON
4. EXAMPLE
5. COURSE CONCEPTS
6. COUNTERPOINT
7. RESPONSE TO THE COUNTERPOINT
8. OPEN QUESTION OR NEXT CHECK
Do not mention an initial post or replies to peers or classmates.
REQUIRED CLOSING — perform these final two instructions exactly:
Then say, verbatim: "Copy this summary AND your share link to this chat, and post both to the Week 6 discussion board — that completes the assignment."
Then END with one genuine earned-praise sentence that names a real move the student made.
Equivalent route (no AI required)
You never have to create an account with a chatbot company to earn full credit in this course. This route assesses the same objectives as the AI dialogue — explaining how a real text persuades its audience, using the four appeals and this week's devices, and keeping analysis apart from summary and agreement — against the same driving question and the same rubric below, for the same 10 points. Choosing it costs you nothing, and you do not have to tell me why you chose it.
What you do. Write a structured written exchange with yourself — the same back-and-forth the dialogue would have produced, on paper:
- Your position (roughly 150 words). Answer Option A or Option B. Name the fragments or the real message you chose, say which appeal carries it, quote a few exact words as evidence, and explain the effect on the audience. Use this week's terms (rhetorical analysis, appeal, ethos, pathos, logos, kairos, label, effect, and any device you need) correctly.
- The strongest objection (roughly 100 words). Write the best argument against your own position that you can — for example, that the move you chose leans on a different appeal, that the timing matters more than the feeling, or that your claim is still a label. Argue it honestly; a weak objection you knock over earns no credit.
- Your answer to it (roughly 100 words). Respond to that objection. You may concede part of it — saying what would change your mind is worth more than defending everything.
- One thing you would still check (one or two sentences). What would settle it — another fragment, a second reader's reaction, the occasion in which the message reached its audience?
Effort. Roughly 350–400 words of your own writing, comparable to the time the AI dialogue takes — about forty-five minutes including the thinking.
What you submit. Post those four parts, under those four labels, as your Week 6 discussion post. That post is your entire submission; this route has no share link.
No replies to classmates are required.
Participation rubric
This discussion is worth 10 points. The same three criteria score both routes.
| Criterion | Full credit | Partial credit | No credit |
|---|---|---|---|
| Depth of reasoning shown (4 pts) | A clear position names one appeal, quotes exact words as evidence, and explains the effect on a specific audience | A position names an appeal, but the evidence is general or the effect is missing, so it stays close to a label | Missing, off-topic, or a verdict on whether the text is right instead of how it persuades |
| Genuine engagement with a counterpoint (3 pts) | A real objection is stated at its strongest and then answered or partly conceded | An objection is named but brushed aside, or answered without engaging it | No counterpoint appears |
| Use of the week's course concepts (3 pts) | Uses this week's terms precisely, keeping ethos apart from logos, kairos apart from pathos, and analysis apart from summary and agreement | Uses a term loosely or with a small error | No course terms, or used incorrectly |
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